“to get the most out of the new world one can not be a frump”
As a woman techniques forty she has had her vision and knows whether or not her dream will come true. If her mind has kept pace with the years and is now a storehouse of inspiring thought, she is at the most interesting time of her life. The earth and the Fullness thereof is hers if she sensibly avails herself. Her wit, her poise, her vividness attract all. She radiates a certain fascination that is only partly sophisticated. Balzac said of her, “She has the art of making her attitude speak for her. Her silence is a lot more hazardous than her speech.”
This woman of middle age must sparkle with the brilliance of a glittering gem or she must glow with the appealing appeal of a pearl. No ingenuous trappings of youth must tempt her, but she must reign in sumptuous gowns of metallic tissue or of rare brocades. Her gowns of velvet draped in long lines must be innocent of all adornment except the jewels which are worn as a guaranteed part of the costume. She can by ideal wear those jewels that are not suited to young girls.
For her morning clothes, she will probably select the coat dress of woolen fabric or of dull-finished silk, dark in color and normally with matching accessories.
For afternoon, her clothes display an sophistication in fabric and decoration that does not belong to the jeune fille. The woman of forty does not think in terms of prettiness but of mature charm. Of one such American woman it was said, “Her charm and appeal are such that, when she walks into a room, everybody is expectantly silent.”…The woman of forty knows her own limitations, but she has knowledge of her good points as well. She characterizes her clothes with her own intellectual personality, a mental vividness, a sympathetic understanding, a sense of proportion, balnace, and judgment. “The women who are remembered,” says one of the foremost cinema directors, “are seldom the younger ones. They are normally the women of maturity.”
It is, of course, absurd for woment to lose interest in dress at any age. certainly the women who have reached the “dangerous age” of forty must never, while mourning the departure of youth, become lackadaisical about their clothes. This is the age when women must be brimful of a great desire to do something worth while in buy to meet the interesting people with which the world is teeming. and to get the most out of the new world one can not be a frump. One need to keep up an interest in clothes and an appreciation of their power of Expression.
From individuality and Clothes, by Margaret Story, 1930.
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