Clothing

The Duchess in familiar Pieces for London Engagement & Jenny Packham’s 007 Gowns

The Duchess of Cambridge wore styles seen on previous occasions for a morning engagement at university college London.

Below, the Duchess arriving at the college’s Insititute of Education.

She was there to check out the Centre for Longitudinal Studies.

Here is a quick video from Rebecca English as the Duchess arrived. 

Researchers at the center are working on a new study, “The Children of the 2020s”. 

Here you see the Duchess with professor Pasco Fearon (C) and professor Alissa Goodman (R).

In a statement released before her visit, the Duchess said: 

“The landmark ‘Children of the 2020s’ study will illustrate the importance of the first five years and provide insights into the most vital aspects of early childhood, as well as the factors which support or hinder positive lifelong outcomes. 

“I am committed to supporting greater in-depth research in this vital area and I’m delighted to be meeting all those behind the study at this early stage.”

The subject matter ties in with the Duchess’s Early Years work. 

More from university college London’s story about the visit. 

During the visit, The Duchess viewed archive material of historic research dating back to the 1940s into early childhood including a ‘Birth Questionnaire’ given to new mothers in 1958, which included questions about pregnant women’s smoking habits. While not a conventional question at the time, the responses allowed researchers to track the impact that smoking during pregnancy had on a baby’s birth weight, and also how it continued to affect different aspects of a child’s life into adulthood. This led to a public health campaign to stop women smoking whilst pregnant, something which is now commonplace. 

Hannah Furness reports in her story for The Telegraph that “The new research will examine the home environment, the community, early years services and the broader social and economic circumstances of the family, via 8,000 families with babies born in April, may and June 2021.”

The study has been funded for at least five years, with hopes funding will be arranged for many more years.

More about today’s check out from Emily Nash in her hello story. 

Kate was then shown archive material of historic research into early childhood dating back to the 1940s, including a “Birth Questionnaire” given to new mothers in 1958.

“We had answers to questions around who looked after the spouse while the woman went into hospital,” said professor Goodman.

“Oh, it was different then!” remarked the Duchess.

Emily also reports, “The nationally representative….study will track the holistic development of children in England from the age of nine months to five years. Researchers will begin recruiting up to 8,000 families in January 2022 for babies born in April, May, and June 2021.”

Now for our look at what Kate wore for today’s engagement.

Many will recognize the Zara dress, first worn in January 2020 when the Duke and Duchess visited Bradford in West Yorkshire. 

It buttons up the front, has a pleated skirt, v-neck with attached bow, elastic on the inside of the waistband, button cuffs, and a wide self-belt. 

The Duchess also brought back a pair of Hugo boss heels.

First worn to a children’s tea party at the natural history museum in November 2016, the embossed leather heels in embossed leather feature a pointed toe and 3.4″ heel (9cm).  The colorway is officially called “anthracite.” 

We saw the return of the Duchess’s Mappin and Webb Empress earrings.

We’ll leave this portion of the post with a fun tweet about the check out by professor Vivian Hill. 

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Also today, more about the Jenny Packham gown worn by the Duchess to last week’s premiere of No Time To Die, the latest James Bond film. 

It turns out the design is actually part of a special Jenny Packham X 007 collection of eight gowns created to celebrate the sixtieth anniversary of James Bond. 

More from Monique Jessen’s story for People. 

The collection starts from $2,759 and includes two dresses that are recreations of actual Packham designs worn in both Die another Day and Casino Royale — career moments which the designer acknowledges she will always cherish.

“The Bond movies have been the cinematic constant of my life and their glamour has always inspired me,” she says. “So, when I am asked to describe a highlight in my career — to see one of my designs in a Bond film is absolutely one of them.”

Here is the die another Day dress ($3920 at Neiman Marcus).

And the Casino Royale gown ($3924 at Farfetch).Other gowns include the Dr. No style ($3920 at Neiman Marcus). 

The world is Not enough design ($5233 at Farfetch). 

My personal favorite might be the Tomorrow never Dies dress ($3724 at Neiman Marcus and $4147 at Farfetch).

Now for a peek at the Goldfinger gown, the style the Duchess’s dress was based on. First, a refresher of the dress as worn last week.

And as shown on a model ($5488 at Neiman Marcus and $6655 at Farfetch).

The gown is described as being “covered with metallic folded sequins and crystals on a base of glitter tulle.” The product notes also say, “A floor-length embellished cape is draped over the shoulders and down the back to complete a truly scene-stealing design.”

There are clear differences between the Goldfinger off-the-rack dress and Kate’s design, especially in the neckline. The embellishments on the two dresses are also different. 

The gowns are available at luxury retailers like Neiman Marcus and Farfetch. 

 

VIDEO: 

This Kensington Palace video runs just under thirty seconds. 

The Royal family Channel video runs about 3:30. 

 

LINKAGE:

Learn more about the new study here; the UCL Centre for Longitudinal Studies site is here; the Centre’s post about today’s check out is here. 

The Telegraph’s piece by Hannah Furness is here; a daily Mail story is here; a daily Mirror article is here; a BBC story is here.

Victoria Murphy’s town & country piece is here; Simon Perry’s people story is here; Emily Nash’s hello piece is here.

British Vogue’s story on the Jenny Packham 007 gowns is here; Monique Jessen’s people piece on the gowns is here.

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